Another day, another attempt to tamper with established characters to make them more PC:
Peter Parker is Caucasian and heterosexual. That isn’t a description: it’s a contractual obligation, one glittering clause in the solid-gold expanse of a licensing agreement between Sony Pictures and Marvel Studios. . . . Certain facets of the man’s character are inflexible. He must not be black. And he must not be gay.
The author does raise the obvious retort: if you want a black or gay superhero, why not just create a new one from scratch? But he never really answers it. There is a perfectly clear answer, though: the Left creates affirmative-action, token characters like this as vehicles for dropping a Message on audiences’ heads like a cartoon anvil. Heavy-handed ideology does not make for good art, and audiences know it. Since they know they can’t succeed on their own merits, the Left needs to hijack someone else’s already profitable property and repurpose it.
Imagine the howls of outrage if Fat Albert or Charlie Chan were remade as Caucasians.